Delicious.
local ghost

cassandrashipsit:

helloitsbees:

kaylapocalypse:

ummzaksbest:

summerchasingmermaids:

kaylapocalypse:

kaylapocalypse:

kaylapocalypse:

Anyway, if the new Harry Potter movie that is set in NEW YORK IN THE 1920s doesn’t have any black people in it (like the trailer suggests) I am legit going to throw my Harry Potter books in the trash and never look back.

I don’t care whose fault it is. The casting directors, the producers, j.k. herself. I don’t care. That level of disrespect, historical revisionism via white supremacist fantasy is not to be tolerated.

The Jazz Age.

With no black people.

The JAZZ AGE.

Do they have ANY idea how creepy it is that every single fantasy is a world without brown people?

That every magical wondrous place they can imagine, a dominant feature is that we have been scrubbed from every corner?

And where did we go? We’re we driven out? Did they kill us all? When one type of person is overwhelmingly missing there is always a reason.

And what reason will small children of color make up in their heads to answer such a question?

What little cloud will enter their mental sky?

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@oneknightincamelot I promise I’m not dragging you, but I’m actually not talking about leads, I’m talking about environmental black people. Like black people in the background of that world. 

This is what Harlem looked like in the 1920s. 

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This is what harlem was portrayed as in Fantastic Beasts

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And I specifically looked for scenes with concentrated groups of background people. 

Its not the starring cast that was “whitewashed” its the ENTIRE ENVIRONMENT that was historically revised. Which is a much more dangerous lie. 

Also, this is specific to black people. While I am constantly hungry for more Asian representation and am happy anywhere I see it, Harlem and the Harlem Renaissance was a specifically an area and era infused with black people and black art.

Here is a documentary about it if you’re curious.

 Anyway even The Great Gatsby did a better job of quickly portraying our importance and style in the Jazz era, and it wasnt even a movie about black people– it was specifically about rich white people.

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Honestly between this and the trash JK created based on Native American culture without actually talking with Native Americans to make sure it wasn’t offensive that will be used in the movie, I have zero interest in seeing it. It’s too white, too misinformed, and they’re putting fucking Johnny Depp, a known abuser in it. I have zero interest in supporting any of that.

That and Eddie seems to be portraying a Hufflepuff stereotype that looks as well written as Bella Swan from Twilight. It’s one thing when it was kids acting, but this guy has been nominated for a million awards and the trailers are just gross.

I prefer what fans wrote for an idea, that Newt is a black man coming to america, faces the shit show of racism compared to England, and goes on amazing adventures. THAT I’d watch. 

Newt in a historically accurate Harlem would have approached some of the depth of the original series, because that would provide the opportunities to explore deeper issues of who we consider human and what rights that entails. It would also depict a world that one group creates and calls home, with one group visiting– sometimes for entertainment, sometimes for gain, sometimes for violence– which could describe 1920s Harlem or the fictional wizarding community in Harry Potter. It would look less like a lazy cash grab at any rate. 

^^^^^

What the fuck, that’s supposed to be fucking HARLEM????? 

Forget not doing research, I’m convinced they did negative research. As in they Obliviated any and all memory of historical reference from their minds.

Holy shit. I didn’t want to see this movie and now I’m actively angry about it. Harlem in the 20s WAS blackness. It just… like…

FUCK JK Rowling, fuck the people who made this movie, and fuck every person in it. Honestly just fuck Hollywood in general. You are going BACKWARDS in representation, just like our fucking government.

(via purebeanjeremy)

04/12/16 • 24598 notes
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